History of Music Essay

I. Introduction medication chokes arranged into meatful expressive patterns. The make up and playing of symphony is both a science and an art. practice of medicineology is the study of music as a field of know directge, with emphasis on history and theory.The raw materials of any considerate of music argon certain characteristics of soundpitch (highness or lowness), timbre (t ane color), garishness (loudness), and duration. These raw materials argon organized by means of the prefatorial atoms of wheel (the pulse, or besot), melody (the tune), and harmony (the blending of t cardinals). medication is often called the universal language because its meaning and appeal argon largely the aforesaid(prenominal) for people everywhere. It has almost limitless variety. Music can express the widest range of gracious experience and feelingjoy, and grief, love and hate, cheer and reverence. It fairthorn be vocal or instrumental, and may be performed by soloist or by orchestra, grea t deal, or chorus.Moreover, Jazz is a form of music that developed in the United States between 1900 and 1915. The origin of the cry is uncertain. The music was created originally by the American Negro, but within 40 long time it was being performed and created by people of every national and racial background. By the 1940s no phase of contemporary American music, serious as well as popular, remained untouched by bop. Jazz bands, magazines, and festivals atomic number 18 found in Japan, in conspiracy America, in North Africa, and throughout europium (OMeally, 2002).Jazz is difficult to check, and non hitherto twist thespians and critics agree on a definition. It is a performers art, a way of life of playing. Jazz can non be indite dispirited to show the precise bearing in which it is compete. It is most accurately maintain not in published gain ground but on phonograph records.This make-up discusses a brief history of the cultivation of some mechanical aspects of music much(prenominal) as melodic styles, particular instruments, the record industry, growth of get along, etc.II. DiscussionA. The personality of get laidRhythm. The infectious, compelling rhythms of jazz are based mainly on the 4/4 march tempo. In customary music, the first and third beats of a four-beat measure are accented. In jazz, however, the fleck and fourth are accented, producing a syncopate rhythm. Additional complex contrasting rhythms are built upon the simultaneous use of an opposite(prenominal)(prenominal) form of syncopation in which a tone is held through a beat stringer than the one in which it began. Underlying these multiple rhythms is a regularly accented basic rhythm called the beat, or swinga pulsating, rhythmic feeling that is hard to define and cannot be represented in paternity by notes (Lopes, 2002).Improvisation is the composing of music while in actual execution without previous rehearsal. It is a basic element of jazz. The improvising musici an may compose a new bow, or melody, or may create new variations and patterns on an animate melody. While one member of a band develops a theme another will expand it. Each musician in the band adds something of his own and several(prenominal) musicians improvise on the same theme at the same time.Jazz is not entirely temporary expediental, however. Although jazz cannot be notated exactly, such(prenominal) of it is scripted down, or arranged. Some passages are left unwritten for solo improvisation. This improvisation and the overall rhythmic interpretation of the music make an arranged piece into jazz (Jones, 2000).Instruments. Another characteristic of jazz is the way musical instruments are played. Brass instruments, such as the trumpet, often take on the tone colors of a render or speaking voice. Mutes are use to give different sounds to the trumpet, trombone, and other instruments. The rhythm section of a jazz band is not limited to drums. The piano, guitar, and string th ick are also used as percussive instruments (Jones, 2000).B. History of JazzA blending of African and European musical traditions, jazz goes back legion(predicate) years. revivification hymns of the Western frontier, Negro work songs, and troubadour shows are among its legion(predicate) sources. From them came the vapours and rag week. The blues, a vocal music, developed in uncouth areas ragtime, a piano music, developed in the cities. After the Civil War many blacks began playing brass-band instruments, and brass marching bands developed.Blues, ragtime, and brass-band music, by the end of the 19th century, blended into a music that today would be categorize as jazz. While no one city can be called the birth-place of jazz, red-hot Orleans was one of the most one-sided midsections of early jazz (Jones, 2000). newly Orleans. close to 1898 a brass band led by the cornetist Buddy Bolden played what would probably be recognized as jazz. Boldens band, Kid Orys Creole Band, and others marched in parades, played for funerals, weddings, and dances, and performed while sit in advertising wagons. These early bands consisted of one or two cornets, a clarinet, a banjo, and drums. About 1910 the bands began playing in the brothels and free rein houses of the notorious Storyville section in New Orleans (Jones, 2000).Dixieland. Many white musicians, influenced by the Negro bands, organized their own bands. jacks Papa Laine, with his Ragtime Band and his belief Brass Band, was one of the first white jazzmen. The musicians in these bands read music, and all their pieces were written out. Although they could not capture the bittersweet wit of the blues, they played an orchestral type of ragtime that was later called Dixieland (Benford, 2004).The Jazz Age. In 1917, the federal government closed down Storyville. King Oliver, Jelly Roll Morton, Louis Armstrong, Sidney Bechet, and other New Orleans-born musicians went North and helped spread jazz across the country. By the early 1920s, the center of jazz had shifted to Chicago, where it flourished in dance halls and speakeasies. Eddie Condon, cistron Krupa, and other Chicago musicians played an intense, whimsical variation of Dixieland that became known as Chicago style (Benford, 2004).During the Jazz Age, jazz bands became larger, the saxophone was added, and new jazz styles evolved. wizard soloists and new jazz styles evolved. Virtuoso soloists, such as Louis Armstrong and Bix Beiderbecke, became more important as the improvised breaks grew longer. Ma Rainey, Bessie Smith, and other blues singers performed and recorded with jazz bands (Lopes, 2002).III. ConclusionJazz, however, was not yet considered respectable, mainly because of the places in which it was played. The ecumenical public heard, instead of true jazz, conservatively rehearsed arrangements of jazz-like pieces. Paul Whiteman, called the King of Jazz, was a induct in such music.Furthermore, modern jazz is not a single reaso n or school. Various schools with distinctive styles demand developed (Lopes, 2002). Jazz continued undergoing many changes in the 1970s. Herbie Hancock and Chick Corea helped diffuse jazz-fusion (or jazz-rock), a style that uses electronic synthesizers and electronically amplified instruments.